Ever wondered if what you’re getting paid for your film/tv/game tracks are commensurate with what’s being paid in the industry in general?
I’m definitely sure I’m NOT getting paid enough, or at least for ALL my placements. With TuneSat and some better ASCAP reps now in arming me with the technology and power I need to hunt down those ever-elusive back end royalties, hopefully that’s changing.
Here’s the latest 2011-‐2012 edition of Film Music Magazine’s Salary and Rate Survey, with data current as of June 2011. They compiled this information based on “extensive research, interviews and information gathered from professionals throughout the film and television music industry.”